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English 9 Enriched: “The Lady of Shalott”

This is the same exercise we did with Keats’ “La Belle Dame Sans Merci” using “The Lady of Shalott” by Alfred, Lord Tennyson.

These were the painting choices:

William Maw Egley

William Maw Egley (1858)

Arthur Hughes

Arthur Hughes (1873)

Atkinson Grimshaw

Atkinson Grimshaw (1878)

John W Waterhouse

John William Waterhouse (1894)

John William Waterhouse

John William Waterhouse (1916)

JW Waterhouse

John William Waterhouse (1888)

William Holman Hunt

William Holman Hunt (1886-1905)

We repeated the Visible Thinking routine:

Visible Thinking Shalott

And as they were writing, I played this video/song by Loreena McKennitt:

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English 9 Regents: Analyzing Atmosphere in Film

I had my regents kids prepare for a Visible Thinking exercise in their journals with the heading “Creating Atmosphere in Film”.  My students then watched the following video, “Lovefield” by Mathieu Ratthe, and as they were doing so, I asked them to write down ten things they noticed in the film that created a specific atmosphere (they had to use “tone” words with the descriptions).

After the film, they shared what they noticed with a partner in the room.  They then had to return to their seats and write three things they thought about the film and three things they wondered.   We then shared ideas using the routine I’d set up during the year: a different colored Post-It note for See/Think/Wonder.

Lovefield STW

Their writing task was to explain in a three-chunk paragraph how director Mathieu Ratthe effectively created a misleading atmosphere which led to situational irony at the end of the piece.

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English 9 Regents: Interpretation of Imagery in “The Cask of Amontillado”

cask of amontillado

SEE:

Using adjective/adjective/noun combinations, students list ten very specific details they see in the painting, and then share their list with a partner.  Any details that they have in common are marked with a checkmark (so that less obvious details stand out to them for later).

THINK:

Students write three things they think about how the imagery of the painting re-creates a certain mood in Edgar Allan Poe’s “The Cask of Amontillado.”

WONDER:

Students write three things they wonder about the painting represents some aspect of the short story.

Students each get one Post-It Note.  One color for each: See, Think, or Wonder.  Students then share Post-It Notes.

Cask of Amontillado

WRITING:

Students will write a three chunk paragraph about how the imagery in the painting helps to re-create a specific mood in the short story “The Cask of Amontillado” by Edgar Allan Poe.   Along with mentioning details from both paintings in their paragraphs, they must also cite correlating text from the short story as support for their claim.

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English 9 Enriched: Frankenstein and Paradise Lost

Paradise LostStudents read a synopsis of each chapter of John Milton’s Paradise Lost and RHA’d it for content relating to Mary Shelley’s Frankenstein.  The class was then divided into three groups for this assignment.

Three groups: God, Satan, and Adam

SEE:

Each group has to find five pairs of quotations that correlate between the chosen character from Paradise Lost (God, Satan, or Adam) and either Victor or the Creature from Frankenstein.

THINK:

Groups each choose the strongest pair of quotations that act as a correlation and state what they think about that correlation.

WONDER:

For the same pair of lines, state what they wonder about the correlation.

Students each get one Post-It Note.  One color for each: See, Think, or Wonder.  Students then share Post-It Notes.

Milton

WRITING:

Students will write a three chunk paragraph correlating God, Satan, or Adam to either Victor or the Creature.   They must use their pairs of lines as textual support for their claims.

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English 9 Enriched: Frankenstein and the Sublime in Art

This Visible Thinking activity is done with a twist.  Instead of merely sharing something simple that they see, think, or wonder, students must stretch to use adjective/noun combinations for what they see, similes for what they think, and metaphors for what they wonder… all relating to the sublime.

I let the classes select one of the following paintings:

800px-Cole_Thomas_The_Course_of_Empire_The_Arcadian_or_Pastoral_State_1836

The Arcadian or Pastoral State by Thomas Cole

800px-Cole_Thomas_The_Course_of_Empire_The_Savage_State_1836

The Savage State by Thomas Cole

il-penseroso-1845_jpg!Blog

Il Penseroso by Thomas Cole (inspired by “L’Allegro,” a poem by John Milton)

Peace%20at%20Sunset%20Thomas%20Cole

Peace at Sunset by Thomas Cole

Kindred Spirits

Kindred Spirits by Asher Brown Durand (depicting painter Thomas Cole and poet William Cullen Bryant)

 

SEE:

Students list ten very specific details they see in the painting, and then share their list with a partner.  Any details that they have in common are marked with a checkmark (so that less obvious details stand out to them for later).

THINK:

Students put three things they think about the painting represents the sublime.

WONDER:

Students put three things they wonder about the painting represents the sublime.

Students each get one Post-It Note.  One color for each: See, Think, or Wonder. 

For those with the color for SEE, they have to use an adjective/adjective/noun combination to describe something they see that represents the sublime.

For those with the color for THINK, they have to create a simile about how they think something in the painting represents the sublime.

For those with the color for WONDER, they have to create a metaphor for what they wonder about how the artist created the sublime on canvas.

Students then share Post-It Notes on the front board.

2013-05-10 09.13.17

WRITING:

Students will write a three chunk paragraph about how the painting is a representation of the sublime, much like Victor’s escape to nature after the deaths of William and Justine.  Be sure to define and explain “sublime” as it relates to both the painting and the novel.

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English 9 Enriched: 2013 Short Story Anthology

        My Enriched students just published their short story anthology, Under the Same Skies under the collective name of Sentries of the Past.
        Sentries of the Past is a group of 9th grade students at Webster Schroeder High School who spent six months researching the Hero’s Journey pattern as outlined by mythologist Joseph Campbell. From there, the students explored how the pattern is part of the human condition and how it can be used as a tool to examine their own livUnder the Same Skies Coveres.
        For 60 days, my 9th graders reflected and shared insights as they explored the archetypal hero within. After completing The Sixty Day Sojourn and after reading a book of forensic anthropology, Every Bone Tells a Story: Hominin Discoveries, Deductions, and Debates by Jill Rubalcaba and Peter Robertshaw, each student selected one of the four hominids studied in the work and “put flesh on the bones,” so to speak.
        In order to incorporate the research component of the CCSS, they researched the regions where the bones were found, as well as the cultures of the people who have lived in that area.  From there, they were able to create hypotheses regarding the lives of their chosen hominid.  While the stories are still a work of fiction, they have been based on historical and cultural facts.  They also still incorporate Joseph Campbell’s Hero’s Journey pattern.
You may click on the picture to link to the publication page.
______________________________
Here are the students and their story titles (in no particular order):
 ______________________________
Katie Ramsey:  “The Lion Heart”
Abigail Rettew:  “Sacrifice”
Myuri Arujunan:  “The Road to Destiny”
Alexis Duggan:  “Wayfaring Towards Danger”
Haley Guidice:  “Marco’s Tools”
Karina Rzepa: “Shadows of the Night”
Julia Deacon:  “Veritas Vos Liberabit”
Xilin Zhou:  “Fallen”
Elizabeth Geiser:  “Simi’s Mountain”
Phoebe Huang:  “Flight”
Thomas Ambalavanar:  “Vladavina od Vatra”
Ben VanderStouw:  “The Bones of Alsem”
Matina Chanthavongsay:  “Let Them Live”
Christina Ambalavanar:  “The Silent Warrior”
Ishitri Bandyopadhyay:  “Hunted By Amber Eyes”
Jamie Lai:  “Godling”
Student books

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English 9 Enriched: Visible Thinking- Frankenstein’s Creation

Students will be evaluating film techniques as well as comparing and contrasting film to text.  for the Visible Thinking part of the exercise, we will watch two different film interpretations of the creation scene in Frankenstein.    They will be looking for a total of ten things they notice (See) in each clip; however, they have to find two in each of the following categories: Characterization, Lighting, Set Design, Sound/Music, Costumes/Make-Up.

The first is from the Universal Films 1931 production starring Colin Clive as Henry Frankenstein (notice the name change) and Boris Karloff as the creature (on a side note, Boris Karloff’s– whose real name was William Henry  Pratt– great grand-nephew lives here in Rochester).

NOTE: the YouTube link is to one person’s channel, and the videos all play when going to this link.  The one I used in class is the four minute piece at clip 3.  I am saving Gene Wilder for when we do parody!

The second is from Mary Shelley’s Frankenstein (1994) directed by Kenneth Branagh, who also stars as Victor Frankenstein, with Robert De Niro as the Creature.

After watching both clips, students shared what they saw in each of the five categories with a partner.  They then went on to write three things they THINK about how the clips reflect events in the novel, followed by three things they WONDER about how the clips reflect the events in the novel.  They must keep in mind as they write what they think and wonder that they are going to be asked to write a comparison/contrast piece for the film clips and the novel.

Students were then given two different colored Post-Its for SEE/THINK/WONDER; one color that related to the Universal film, and another for the Branagh version.   We then shared aloud and posted them in the front of the room on a large poster paper.  Once all students had the opportunity to share, we discussed the major similarities and differences between Hollywood and Shelley’s work.  They then went on to work on their writing pieces.

Alive

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Filed under Domain 1: Planning and Preparation, Domain 2: Classroom Environment, Domain 3: Instruction, English 9 Enriched, Visible Thinking